Although not of high quality, this painting was once ascribed to Micco Spadaro. This attribution was rightly rejected in favour of an unknown artist inspired by Flemish models. It shows a drinker, whose wrinkled face is characterised by an inebriated gaze from excessive consumption of wine, to the point that the depiction almost seems a caricature.
19th-century gilded polyptych, 37 x 99 x 5.4 cm
Rome, Borghese Collection, 1833 (Inventory Fidecommissario Borghese 1833, p. 25; Della Pergola 1955). Purchased by Italian state, 1902.
The provenance of this painting is still unknown. The work was in fact only first mentioned in connection with the Borghese Collection in 1833, when it was described in the Inventario Fidecommissario as a panel by an unknown artist. At some point it was ascribed to Micco Spadaro (see Della Pergola 1955), an attribution which Adolfo Venturi (1893) reluctantly accepted but which was definitively rejected by Roberto Longhi (1928). For her part, Paola della Pergola (1955) revived it, but merely as an approximation.
The panel was probably a fragment of a larger work. It was undoubtedly inspired by northern European models, as is suggested by the subject, a drinker portrayed with a flagon in his hands, with a face bordering on caricature.
Antonio Iommelli