Rome, Collezione Borghese, recorded in the Inentario Fidecommissario Borghese 1833, p. 27. Purchased by the Italian State, 1902.
The work under analysis can be identified, in the documents relating to the Borghese collection, as the painting listed in the fideicommissary inventory of 1833 and described as: “28. Portrait, by an uncertain artist, 1 palm wide, 1 palm high, 3 inches”.
Adolfo Venturi (1893) attributed the work to Ottavio Leoni, but Roberto Longhi (1928) disagreed. Paola della Pergola (1955) recognised similarities with the style of Alessandro Allori, but left the question of attribution open, arguing that it could be a fragment of a much larger painting made by an artist working between Florence and Rome in the late 16th century.
On the basis of stylistic comparison, format and also similarities in the rendering of the facial features, one hypothesis could be that it is close to the work of Daniele da Volterra, especially when comparing it to the Portrait of a Gentleman - formerly recognised by Pedro de Madrazo as Alfonso II d’Este and previously attributed to Girolamo da Carpi (also discussed in Pattanaro 2021 pp. 248-249 cat. RA12, with previous bibliography) - in the Prado Museum in Madrid. (inv. P000069, also known in a smaller replica preserved in Naples at the Museo e Real Bosco di Capodimonte (inv. Q752).
Lara Scanu