This painting is first mentioned in the Borghese inventories in 1833. It has been ascribed to Joachim Patenier, even though its quality does not allow us to place full confidence in this attribution. It shows a seascape with several rocky mountains, which function as the backdrop for a scene of the baptism of Christ in the foreground.
Salvator Rosa, 89.6 x 36.8 x 4.5 cm
Rome, Borghese Collection, 1833 (Inventario Fidecommissario Borghese 1833, p. 28; Della Pergola 1959). Purchased by Italian state, 1902.
The provenance of this painting is still unknown. It does not appear in the Borghese documentation until 1833, when it is listed in the Inventario Fidecommissario together with two other landscapes (inv. nos 197, 198). While Giovanni Piancastelli (1891) ascribed it to an anonymous artist, Adolfo Venturi (1893) was the first to propose an attribution to the Flemish painter Joachim Patenier; later critics, including Leo van Puyvelde (1950), Paola della Pergola (1959) and Kristina Herrmann Fiore (2006), supported this idea.
Although this small panel shows similarities with other landscapes by Patenier, the uneven quality of the work does not allow us to ascribe it to him with complete confidence. Nonetheless, the style of the painting indicates that he represents a valid point of reference for the attribution.
Antonio Iommelli