The work, possibly attributable to the Tuscan school, depicts a male figure, identified by some scholars as a pope (perhaps Eugene IV, born Condulmer, 1431-1447) on account of his clothing and hat.
Inventario Fidecommissario Borghese 1833, p. 25. Purchased by the Italian State, 1902.
Identifiable only in the fideicommissary inventory of 1833, this small portrait is, according to Paola Della Pergola (1955), part of a series of portraits of illustrious men by an unknown artist, first cited in the fideicommissary inventory of 1833 (see also inventories 448, 449 and 523).
Mentioned by Adolfo Venturi (1893) and Roberto Longhi (1928), the picture was tentatively placed by the two scholars in the more generic context of the Florentine School. Indeed, one can see the resemblance between this small panel and the portrait of Pope Eugene IV, born Gabriele Condulmer, painted by Cristoforo dell’Altissimo and held in the Uffizi Gallery in Florence (inv. 2982 - 1890). The resemblance to the pontiff is supported by a comparison with the image, which was probably the primary source of the Florentine painting as well as this one. It is known through the engraving reproduction made by Onofrio Patavino from a painting by Jean Fouquet (reproduced here in the version preserved in Naples, in the Museo e Real Bosco di Capodimonte, Gabinetto Disegni e Stampe, Collezione Firmian, Vol. 116, folio 10).
Lara Scanu